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| Victor and /Frances, art-quilt, 28"x36" | 
Two more pieces from my American 
Family Album series..... In my previous blog post the little boy in the 
art-quilt entitled Maffei, is depicted above, all grown up.  When I 
consult with clients commissioning their own family art-quiilts I always
 make sure they are passionate about the imagery.  Often people bring me
 the highest quality photo they have of their subject, thinking this 
will work best for my creative process.  But believe me, I'd rather work
 with a less perfect snapshot and have the artwork truly speak to the 
heart.  My expertise in digital restoration can go a long way to helping
 those old photos.  And besides....it's art, much of the beauty is in 
the patina!  Personally, I love this photograph of my grandparents!  It 
was snapped prior to their simple wedding in Galveston, Texas, where 
they lived and raised their family.  My grandmother had been a  very 
young widow with a small daughter.  Because of this she could truly 
relate to my own years as a single parent and we became very close, even
 living together for a time several years after my grandfather died.  I 
loved hearing her stories of their meeting and courtship.  My grandpa 
was wonderfully crazy about my grandmother and it showed!  I know that 
my idea of what constitutes 'a happy couple' comes from spending so much
 time around the two of them. My husband Phil is so like my grandpa in 
that way. When out of the blue he complements me for the tiniest things,
 I smile and think of my grandparents marriage.  Phil simply adores 
me...and I thank my grandparents for modeling that kind of love so that I
 could recognize it when it came my way.
My mother, 
portrayed in the next art-quilt, was the couples third and last 
child.  The central image in this piece was taken from a black and white
 engagement photo that always sat on her dresser along side a Navy photo
 of my father.  In the digital process of manipulating the central photo
 for printing on fabric, I purposefully chose odd, somewhat subtle hues 
of lavender, gray and green. Remember, this is art, have fun with the 
colors.  In commission pieces my clients have to trust where I take the 
imagery for the finished piece.  While I consult extensively with my 
clients before beginning, the photos speak very loudly to me during the 
creative process!   The ability to listen to where I am being guided by 
the work is central to my work, and I believe it is what makes my pieces
 so compelling.
Depicting
 my mother 'through the years' was my way of documenting the milestones 
in her life; childhood, confirmation, graduation, marriage and the last 
photo, from her seventieth birthday which was celebrated at the time I 
made this piece for my series.  There are a lot of creative ways to do 
this, but I wanted the central image to stand out prominently, so I 
chose a very simple straightforward approach with this art-quilt.  This 
piece is amazing in person and always receives rave reviews when 
exhibited.  Those wonderful 1950's style photos are so striking...but 
then so was my mom, so I know much of the excitement about this piece is
 because the subject is so captivating.  Recently I edited a video of my
 parents young years and each time my dad watched he would announce to 
anyone in the room "how beautiful my wife" was.  Indeed.
My
 hope is that these posts reviewing the American Family Album series 
helps those considering their own family commissions.  But I truly love 
it when someone shows up with nothing more than a stack of photos and 
treasured memories they want creatively conveyed. My best advise is 
this, don't over-think the commission.  Often the best part of my job is
 to assist clients through the process of coming up with the story that 
simply wants to unfold.  Personally I believe that it is those in the 
photos that primarily guide the creative process..... whether they are 
ever physically with me or not!  :)
Here's a few more from the series....
 






 
